Comic Stash...

Well, I've got a lot of stuff I'm anxious to do posts on. Like what I love about Robert Kirkman, why LA Confidential is probably as close to a perfect movie as we are ever likely to get, and why I think Jason Kidd, not Steve Nash, is the best point guard in the NBA. Unfortunately, I haven't had time to organize my thoughts well enough to get those things written yet. So, for now, I'm just gonna review my comic stash from this week. Now, since I work part-time at a comic book shop, I have the luxury of sticking my comics upstairs until I'm ready for them, which is why some of these are a few months old.





Thor #1:
(minor spoilers)
J. Michael Straczynski was given the task of bringing Thor back to life 2 1/2 yrs. after he died with all the other Norse gods in Ragnarok. I've been a fan of Straczynski's writing ever since his Rising Stars series, but he's a little inconsistent. For instance, the first 3/4 of Rising Stars was great, then it sort of unraveled as it came to it's ho-hum conclusion. His controversial run on Amazing Spider-Man has been hit-or-miss (but mostly hit). And while his Supreme Power MAX book was excellent, the non-MAX follow-up, Squadron Supreme, has been disappointing. Now he's got Thor.
In the first issue Thor comes back to life and... Well, that's it. That's all that really happens. Not much else to it. There's a lot of panels with little or no dialogue. Just Thor looking badass, him killing demons, or lightning striking. It took me about six minutes to read this thing. I'm not even sure how Thor came back. Apparently he just really, really wanted to. Also back is Thor's original mortal alter-ego, Donald Blake. A character I meet with almost complete disinterest as I've never read any issue of any comic in which he appears. Let's see if Straczynski can make me care about him.
The book was penciled by Olivier Coipel, a good, if not yet great artist. His artwork is the best thing about the first issue for sure.
I'll be back for issue 2, but hoping for a little more to sink my teeth into.


Ultimate Power #6:
Straczynski writes this one too, with awesome art from Greg Land. It's pretty much just 22 pages of the Squadron Supreme vs. The Ultimates (which is what I've been waiting five issues for now), with a little bit of gun-toting Nick Fury looking like one bad mofo. Also, a sweet little reveal at the end.


Ultimate Fantastic Four #37:
It's the fifth part of the "God War" storyline (only one more to go, woo-hoo!), and it's piss poor, just like the first four parts were. Okay, piss poor is a slight overstatement, but this story is lame. All the weird sci-fi science talk is mind-numbing. I have no idea what's going on, and I couldn't care less. The only reason I'm still buying this book is because I have a complete run so far and I'm hoping the next storyline will be worth reading. Otherwise I'd have dropped it about three issues ago.
The one good thing about this arc is that it introduced Ultimate Thanos, but he's not nearly as cool as his Marvel U. counterpart. Writer Mike Carey has done some stuff I've liked, as has artist Pasqual Ferry, but this just isn't a good creative team for "Ultimate Marvel". The Ultimate line should have only A-list talent on board for every arc on every title, and these guys just don't cut it.


Ultimate X-Men #80
(major spoilers)
Robert Kirkman's run on this book has been more than a little disappointing. I love the guy's Image books, but his Marvel work has been less than stellar. Things have picked up, however, since the "Cable" storyline started. This issue is the second part of "Aftermath". Aftermath of what? Of the death of Charles Xavier (bum-bum-bum!). Shocking, I know.
It's a pretty solid issue, overall. Scott, Jean, and Ororo find out they have inherited the school and all of the prof's stuff, Logan packs up his sh*t and hits the road, and Colossus goes to Emma Frost's school and rubs his homosexuality in everyone's collective face (I'm sorry, was that homophobic?).
Bishop (who was introduced in the "Cable" arc) seems to be taking a bigger role in the series, as he vehemently opposes Scott's decision to DISBAND THE X-MEN (bum-bum-bum!), and he might just be looking to start his own.
Oh, and that thing about Xavier being dead? No worries, as he shows up at the end of the issue at Cable's place, floating in a bacta tank (bum-bum-bum!).


Action Comics #851:
(spoilers)
I'd like to go on a big rant about how this "Last Son" storyline by writers Geoff Johns and Richard Donner with art from Adam Kubert has been a big disappointment, but I just can't. It's frustrating that the story is only on it's fourth part, about 9 months after the first parts release, but the issues that do come out have yet to let me down.
Having said that, this is easily my least favorite issue of the story so far. Most of it takes place in the Phantom Zone, and deals with Superman's attempts to escape from there. He interacts with some character (named Mon-El) I guess I'm supposed to know, but I haven't got a clue who he is. I assume he was a silver age guy that was wiped out during the Crisis On Infinite Earth's crossover back in 1986, but thanks to the annoying trend over at DC of bringing a bunch of that silver age stuff back into continuity, he's back. I've never read any silver age DC, but I've read plenty about it, and I think I can safely say IT BLOWS. I know all these DC writers grew up reading those stories and want to bring it all back, but come on, that sh*t was ridiculous. Yeah, I'm talking to you Alex "I take myself way to effin' seriously" Ross!
Anyway, back to the issue at hand. After the Phantom Zone stuff's out of the way, we get to see Zod, Ursa, and Non pretty much ruling the planet and being the god's among insects they should be. There's some cool interaction between Zod and his bastard child Christopher, and we get to see Lex Luthor assembling a force to bring down the Kryptonians (presumably so he can take over the world himself at a later date).
Adam Kubert's art is easy on the eyes, for sure, but something about his style has changed. I don't know if he's trying to look less like his brother Andy or what, but I prefer his older stuff just a little.


Countdown #44:
I dug 52. I don't know a single other person who did, but I liked it a lot. It's success led DC to keep the weekly comic thing going for at least another year with this massive mini-series, and so far all I can say is... Eh. It's certainly not bad, but I'm not hooked by any means either. So far the series main focus has been on Jimmy Olsen, Mary Marvel, the Monitors of the Multiverse and some Flash rogues. Let's look at them each one at a time.
Jimmy's been sporadically getting superpowers whenever he happens to need them. This is not cool. I don't want to see Jimmy doing anything but be Superman's pal. I can't take this red-headed, freckle-faced spaz seriously and I don't think anyone else can either. Jimmy and superpowers do not mix.
Mary Marvel is the best part of Countdown so far. She lost her Marvel powers during Infinite Crises and now Black Adam has granted her his. So, I guess she's turning into kind of a bad girl now. As I'm writing it, I'm beginning to wonder why this is so interesting.
The Monitors spend all their time debating. Remember that senate scene in Episode 1? There's one of the those in every issue of Countdown, only no E.T.
The two Flash rogues are actually the best part of the series, forget what I said earlier about Mary "I'm gonna have a two piece costume by the end of this series" Marvel. I don't read Flash, but it seems these two (Pied Piper and Trickster) are reformed, but they are still hanging with the rest of the rogues for some reason. This turns into a sticky situation when the rogues kill the Flash, and now the two reformed baddies are on their own. Oh, and one of them smokes pole.
Anyway, I'm about 2 issues from dropping this if things don't pick up quick.


The Authority #2:
The Authority have somehow managed to get from their world to the real world. Like OUR real world. There are no superhumans, and the Authority and all the other superheroes only exist in comic books. I know some people probably think Grant Morrison is a genius for this (and he is a genius, just not for this), but if it were anyone else writing it, everyone would think it's as lame as Jimmy Olsen with superpowers. Well, I can't just give Morrison the benefit of the doubt on this. I'm not digging it. But since it only comes out about every five months, I'll still be able to afford to see how it all turns out.